Paths of the Atlantic Slave Trade: Chapter 12: Picturing Homes and Border Crossings: The Slavery Trope in Films of the Black Atlantic
In the twelfth and final chapter of Paths of the Atlantic Slave Trade: Interactions, Identities, and Images, Awam Amkpa and Gunja SenGupta examine three films—Julie Dash’s Daughters of the Dust (United States, 1991), Euzhan Palcy’s Rue Cases-Nègres (Martinique, 1983), and Ousmane Sembène’s Ceddo (Senegal, 1977)—to examine the representation of slavery….