With “Calling for a New Renaissance,” the Nobel Laureate explores his primary aesthetic concerns of the past decade. He criticizes the influence of ideology on
Nobel Laureate Mo Yan, whose name literally means “don’t speak,” is renowned for his fiction, which includes The Garlic Ballads; Red Sorghum; Shifu, You’ll Do Anything for a
E. K Tan, author of Rethinking Chineseness: Translational Sinophone Identities in the Nanyang Literary World , will be presiding tomorrow at 1:45 p.m. at
Paul Manfredi, author of Modern Poetry in China: A Visual-Verbal Dynamic, will be presiding today at 5:15 p.m. at the session The Fiction of Mo
Shelley Chan, author of A Subversive Voice in China: The Fictional World of Mo Yan, will be presenting today at 5:15 p.m. at the session
#MLA15 Contemporary Chinese Poetry and the Other Arts – Paul Manfredi Presiding Tomorrow @ 1:45 p.m.
Paul Manfredi, author of Modern Poetry in China: A Visual-Verbal Dynamic, will be presiding tomorrow at 1:45 p.m. at the session Contemporary Chinese Poetry and
Academic Libraries Book Recommendations, Asian Studies, China, Chinese, Culture, Literary Criticism, Literary Studies
There couldn’t be a better endorsement than from Dr. Howard Goldblatt, the translator of Mo Yan’s novels: “I recommend this first full-length study in English
Cambria Press congratulates Gao Xingjian and Mabel Lee on the glowing review of Gao Xingjian: Aesthetics and Creation by Dr. Kwok-Kan Tam (Dean of the